Between art & Art
2000 - present • page 1 of 4

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1. MMA #05

2. MMA #18

3. MMA #38

4. MMA #19

5. MMA #35

6. MMA #20

7. MMA #34

8. MMA #22

 
sample of images taken at Metropolitan Museum of Art, New York, 2000
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Project description • Between art & Art

My earlier project, Camera Obscured: Photographic Documentation and the Public Museum has had a great influence on the issues that are considered in Between art & Art. Click here to see it.

Between art & Art is based on observations formed about the nature of photographic documentation and, specifically, documentation of the public museum. During almost 15 years of experience doing research in the institutional photography archives of a number of major museums, the complexity of the relationship between photography and institutional memory has become increasingly obvious. Observed is the fact that the "documentation" of photographic documents themselves has often been far from adequate - record photographs are often seen as "self-evident". One significant result has been that the original intention of an image becomes obscure over time, leaving the viewer/researcher uncertain as to why a certain image was taken. Attention is displaced from a specific, motivating "event" to the entire picture space. The paradox of such photographs is that everything within the image is recognizable but little, in the end, is fully understood.

The photographs that comprise this ongoing project attempt to intentionally reproduce some of the above-described effects that normally come with the passage of time. They are often based on earlier images seen in museum archives. Their nominal subjects are usually, but not exclusively, the transitional, "liminal" spaces of the museum - those that, as visitors, we often pass through on our way to the museum's display galleries.

 

The photographs have been taken, beginning in 2000, with equipment similar to that that used by museum staff photographers - a large format camera on a tripod. They refer to a particular period - approx. from the 1860s to the 1960s - when almost every photograph made within the museum, no matter how mundane the subject, was produced using such a camera.

Since the 1970s, the use of the 35mm or medium format cameras for certain kinds of documentation increased dramatically. These became the medium of choice for almost everything except images of museum objects, which required the high resolution results possible only with large format equipment and film. Today digital technologies reign in major public museums but the same division of types of documentation occurs - lower megapixel cameras are used for general documentation while digital backs are used on large format cameras for documentation of the collection.

To date work on the Between art & Art project has been carried out in the following museums (some of whose institutional archives I have also explored): the Metropolitan Museum of Art, New York; the Royal Ontario Museum, Toronto; the Art Gallery of Ontario, Toronto; and, the Victoria and Albert Museum, London; Kunstmuseum Thun, Switzerland; Fotomuseum Winterthur & Fotostiftung Schweiz, Switzerland.

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