museum of a man
1987

thumbnails

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1. announcement card

2. installation view

3. installation view

4. amnesia news story

5.amnesia news story

6. amnesia news story

7. table

8. detail of table

9. detail of table

10. detail of image

11. detail of image
 

 
     

Project description • museum of a man

This was my first photographic installation work and was motivated by a news story about an amnesia victim. The alleged amnesiac was found on a beach in Italy without identification. Apparently he had been mugged. Soon after entering hospital he began to recall certain facts that pointed to a possible Canadian origin and was taken under the wing of the Canadian consulate in Milan, Italy.

Dubbed "David" by the media, the story became quite prominent in Canada during 1985-86 as the mystery of who he was deepened. My project took three forms: a set of twelve 30 x 40 inch colour photographs of slide projections of famous public museum interiors onto my own domestic space; a set of small black tables with the text of an early 20th century memory experiment lettered onto their tops; and, a video that took all of the stories I could find about the mysterious "David" and strung them together into a continuous narrative that revealed the incredible day-to-day inconsistancies of the media reports. His height, weight, languages spoken and other basic facts shifted radically, often from one day to the next.

The story of David became even more convoluted over the year that I followed it. After a few months of false leads (while David was being housed in Milan courtesy of the Canadian government) he disappeared. A few months later he surfaced

 

in Canada, after having been arrested for the theft of the car of a young couple who contacted him originally in Milan, thinking he was a friend of theirs. Because he carried a fake driver's license, he is charged with "impersonation." The idea of a supposed amnesiac, whose identity was unknown, being charged with impersonation was an unforeseen twist in this strange story. It underlined the exceedingly slippery issues of memory at the heart of the case (and this artwork). In the end, David serves a short sentence for the car theft, is revealed to have a Canadian father, was brought to Canada by a news reporter he became romantically involved with and then disappears again. To emphasize the increasing bizareness of the story he appears one more time months later, now in the Yukon, and again charged with car theft.

This project marked the first appearance of the museum in my work. In museum of a man the museum served as a metaphor for the process of remembering and forgetting. Just as a museum excludes in order to include, human memory cannot retain everything. Forgetting is necessary. However, unlike human memory the museum's acts of exclusion are conscious and point to the flaw at the heart of the museum - the actual impossibility of representing the past.

 

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